In Praise Of Blue, Green, Grey: World Water Day

20190308 IN PRAISE OF BLUE GREEN GREY WORLD WATER DAY

As a concerned person, (in my case) a latter-day Celt, Druidic-Christian or Christo-Druid I am, like you, intensely aware of nature and its cycles around us, but know that that in many cases we take it for granted. Timely reminders are important, hence the usefulness of faith, natural, and stellar calendars to mark and note the changing seasons, the passage of time and important occasions.

World Water Day is an annual UN observance day (always on 22 March) that highlights the importance of freshwater.

The day is used to advocate for the sustainable management of freshwater resources. World Water Day is celebrated around the world with a variety of events. These can be educational, theatrical, musical or lobbying in nature.

Some time back I wrote the following poem. Indeed, it was penned by me when at Dyffryn Ogwen, north Wales on 22 March 2016, World ‘Water Day’. Depending how you use it, the piece below could form part of a liturgy or prayer for that occasion (on that date or, indeed,  on any other), for a ceremony you might hold for World ‘Water Day’, or similar.

Although it may contain place-names that you may be unfamiliar with, they can still be included, if you wish, as locations of beauty to give thanks for, even if not witnessed (yet). But, please feel free to adapt.

Under the canopy of an oh-so-blue sky
I’m sheltered from the howling wind by spine-like mountains on either side.
The tempest may soar high above me, of that I testify
but all is at rest here, in this place, this hide,
this azure-domed valley, of Dyffryn Ogwen.

Surrounded by the life-colour. I shout, ‘Viriditas’.
It echoes the Deity’s handiwork of creativity and love.
Trampling underfoot lichen, moss and occasionally witchgrass
it harks back to an earlier day, a remembrance of
times of innocent, pure, green-childhood.

And onward, like time, to Afon Ogwen, that bountiful river of power and flow.
To stand, to meditate, and commune, and wait
and purposefully gaze upon it, and know
of the life-industry of former times, of Celts, of Romans, of purveyors of grey slate.

And I give thanks to you
The Source of all for blue, green, grey.

 

Drws I Fyd Arall (Revisited): The Voice

20190121 drws i fyd arall revisited the voice poem

The Voice. Since the dawn of time humankind has heard that inner voice. Many tribes of old, the Ancients, Druids, Celts, The Ancient Texts testify to the Voice in the desert or wilderness places, or atop mountains.

There is a clearing in the woods behind my garden in Capel Curig in Wales, where, as a wee lad, my friends and I would play. It was almost as if there was something, or someone that was drawing us to that place. In that clearing there were two bowed, arched, silver birch trees.

My friends and I, then as children, loved sci-fi programs on our old black and white televisions, back then, and so, playfully, we called those two arched trees, Drws i fyd arall (pronounced ‘droo zi fid arrah’). It means ‘door to another world’. And we would run back and forth through the arch, laughing, and giggling and let our imaginations run riot as to where we might have been transported, as if we were in a sci-fi tv program.

With hindsight I think something or someone, the genii loci, the Presence, the Source had prompted us to call it that. The trees are still there, and it is still a special place.

I am back at that place again, and it’s cold, dark, late. And it’s wonderful. The Presence here. A benevolent one. This is, indeed, a ‘thin place’ – where Here and The Other meet.

As I stand here now, memories of yesteryear flood my mind. Wonderful thoughts, great memories, powerful recollections abound.

One night, about three years ago, I woke up from a shallow sleep and went for a walk to this place, and this is what I wrote:

A warm feeling enveloped me. Palpable. And not only an external feeling, but internal too, pervading my whole being. And then, as has happened albeit infrequently in this place in the past, I heard the Voice once again. Some will say that it’s only imagination, but I can only say, to me, it was and is, more, oh much more.

From an interrupted, shallow sleep I awoke early,
and walked into the night, as if called by a Voice deep within.

The Voice?
An elemental? An ancestor? My imagination? The Bat kohl?

The air was cold and damp,
the darkness seemed to envelope me,
the trees ‘closed in’, and all was quiet.

Nothing stirred.
Nothing at all.
And with some trepidation,
into a forest clearing I slowly strode.

A fallen tree provided a seat,
and I sat, and waited.

The air felt ‘electric’ as though something would happen,
like a ‘silent storm’ approaching.

And I waited. And shivered.
Waited. And got damp.
Waited.

And then from within, or without,
almost undetectable, a quiet, loving, voice was heard.

The Voice.
Slowly, unhurriedly, powerfully, the Voice said:

“As above, so below,
there are things you should know.”

“Human words are powerful, they are a door,
your actions are effective, they are pure metaphor.”

“And so I speak of humanity’s cosmic task,
To be revealed, evidenced, enjoyed, without any mask.”

“And so, don’t just sit, but take heed and do,
these are worded-actions-prayers for many, and for you.”

“And so, again I say, as above, so below,
remember these things; they are things you should know.”

“Through prayer, does that which is unseen, unmanifest,
reveal itself and take form in the blessed.”

“And so, I mention,
with your hands at your side, walk humbly,
take seven half-steps forward, its a journey of intention.”

“And now, raise your hands in simple ‘surrender’,
and point both to Heaven, that domain of awesome splendour.”

“Widen your arms, and so scoop, and harvest
pure energy, pure ‘gold’, and be prepared to be feel blessed.”

“Draw in that power, by folding your arms like an ‘x’ on your chest,
and feel its benefits, its warmth; you’re at peace, at one, ‘at home’, at rest.”

“Then stretch forth your arms, and mould with your hands
as if a ball, that ‘globe-like’ power-blessing from the ouranic meadowlands.”

“With one foot leading, and with knees part bent,
sway back and forth, in preparation for that ‘goodness’ to be sent.”

“In your mind, name the loved-one, the recipient, the friend,
and in your heart, see them, imagine them, to that end.”

“‘Push’ with your hands, that power-blessing from you to them,
and sigh the sound of the ages, the ‘so be it’, the ‘amen’.”

“And then, your hands drop to your side,
power has gone out; but there is no lack,
for the power-blessing that went forth, also comes back,
in another way and at another time, and so you, too, are blessed.”

Having done everything as directed,
I stood there in awe.
The air was cold and yet I felt warm,
the night so dark but in my mind’s eye it seemed to glow.

The Voice had gone.
The Voice? An angel? The Deity? The Awen?

You decide.

I do believe The Voice speaks wisdom to us all. I don’t think we need to go to special places – though sometimes that seems to be something that we, as humans, need to do to prompt us, to jog our memories or put us in the right frame of mind of openness. But, I do believe The Voice speaks still, perhaps in the city. Can you hear it?

 

Poem: Gratitude At Bach Ac Yn Gyflym [Revisited]

20190107 poem gratitude at bach ac yn gyflym

I’m back in Capel Curig, the location of my north Wales ‘cottage’ in the wilderness. I like to connect with the wilderness every so often, and here I am again. Around me is green and grey, around me is grass and mountains, as white wisps of mist embrace me.

Surrounded now by that mist, you could be forgiven for thinking that you weren’t in my garden, as all the familiar landmarks, named trees, much-loved foliage, small rocks have all but become invisible as the cloud descends.

And as I slowly walk on, there it is. That, small, wonderfully inviting rivulet that flows unimpeded. Even if it is unheeded, it flows. It needs no human eye to convince it of its status, but when around, it does indeed invite all to look on in wonder. And, as you look into it in awe, I do believe others look back in a similar manner.

Water, particularly wells, the tides ebbing and flowing on the beach, and rivulets, like this one, are liminal places, ‘thin places’, where here and the Other are unusually close. Could this rivulet be a place for angels, the fae, elementals, the Waters, or the Others, ancestors etc to come near(er)? Who knows. But, there is a presence here, a Presence!

I call this watery friend, this rivulet Bach ac yn gyflym. Welsh geographical place-names are very descriptive, and it seemed right to call this stream by this name. Its name means ‘small and fast’. Very apt. Very Welsh.

Some time ago, deeply moved by it, I wrote a poem, and now as I gaze on at this constant companion, this faithful flow of water, almost mesmerising, I recite the poem to the rivulet, once again.

In this rugged, wild, grey-green place,
Bach ac yn gyflym, that ancient stream flows.
Downstream represents that past, of days gone by,
the old, the familiar and known.
It is an empty plate of cakes, just crumbs, now gone; it is yesterday’s meal.
This flowing water is time.

I surmise that you look upstream! Most do.
Upstream is unfamiliar.
It is tomorrow charging towards us and becoming ‘now’.
It isn’t red-shift; it is blue-shift.
It isn’t the past, it is the future.
It is potential, opportunity,
a ribbon of possibility reaching out toward us.
It is the unknown. A challenge. A risk. An adventure.
Time could be the harbinger of good or of bad,
however we define those mysterious words.
And yet Rumi’s wisdom of old, words of invitation
to accept those who knock at the door of one’s life echo loud.
For in playing host to all,
we may accept a benevolent ‘guide’ from beyond,
and grow in stature.
The flowing water is time.

As I stand motionless and observe, the water flows and yet so do I.
A body that ages.
A mind that thinks.
A heart that beats involuntarily.
A planet that spins. And one that orbits.
A solar system that moves.
Tempus fugit.
Everything is in a state of flux.

And so, like you, I look upstream.
Could this be Bach ac yn gyflym or even Pishon?
But, I crane my neck and look upstream,
for it is from there that the Spirit calls out to all of us by name.
The Bat Kohl whispers in the desolation, the forest, even in the city.
Her activity is recorded in the past, felt in the present, and reverberates to us from the future.
The flowing water is time.

Time moves on.

Is time an illusion? Is it inear? Cyclical? Or a combination of the latter two, a ‘slinky’: repeating itself but with the progress of minor changes and adaptations, new things, along the way? For now, all I know, is that this rivulet has a sameness and a difference in its flow: a paradox. . Heraclitus, a Greek philosopher born in 544 BC. said, ‘No man ever steps in the same river twice, for it’s not the same river, and he’s not the same man.’

Yes, time moves on. But, ‘chronos’ or ‘kairos’. The former is mechanical time, the relentless tick-tock of the clock which governs our rising and sleeping, our working and relaxing, marking the seasons in the heavens or instructing us of the time of the next bus home. The latter, ‘kairos’ is opportunity, time that allows us to do something. For the ancients, this would have been an important thought, perhaps the most important of the two, for they would say to us; ‘now is the time’.

However, having just glanced ay my wristwatch I am walking briskly back to the cottage now, as time indicates that its breakfast time, and somethings are too important to miss. But, and it is an encouragement to each of us: today there will be times of opportunity, kairos (time) to seize and take hold of, to enjoy and make the most of. Carpe diem.

 

Lights Will Guide You Home [Revisited]. Thoughts & Poem Of Encouragement.

20181220 LIGHTS WILL GUIDE YOU HOME

Do you ever have the feeling that at some point in time, about a year or two ago, you woke up in an alternative universe? That the one you’re in now, wasn’t the one you were born into and remember? I know psychologists tell us that we all feel that way from time to time, but doesn’t it feel more evident, and more real, and more concerning with recent events?

‘We are so privileged to gather in moments like this when so much of the world is plunged in darkness and chaos. So, ring the bells…’ Leonard Cohen, ‘Anthem’ (preamble).

What is the answer?

There are those who want to cause confusion. Be encouraged to seek the truth and so avoid confusion. There are those who would encourage hate. Repay hate, with love, it says somewhere. Some would instil fear in you. The answer to that comes from Hafiz, who seven hundred years ago, write: ‘Fear is the cheapest room in the house. I would like to see you living in better conditions.’ Others would seek to provoke you with bad speech in the hope that you would stoop low. To those who would want you to be stressed, find ways to unwind and be at peace.

‘There is no fear when you choose love. The more you choose love, the more love is in your life. It gets easier and easier’. Melissa Etheridge

It is as if darkness grows stronger. It is true the days grow darker, but we know that is seasonal, and will change at the time of the winter equinox. But, what of spiritual darkness? Maybe, the darkness and chaos we witness in the world today are but the birth pangs of something altogether different, and altogether bigger than what we’ve experienced before….if we continue in our beliefs.

I do believe in the darkness many witnesses, those who are really aware will ‘see’ the good that is happening, and that a myriad of lights shine, and these are faithful Druid’s, Pagans, Christians, Muslims, Hindus and others who care about mercy, justice and worshipping That Which Is Bigger Than Us. To such people, yourself included, it may be an encouragement to (more) prayer, meditation, sending light and love, to work that out in our daily lives in large ways and small, in the spectacular and in small ways – each way is just as important and just as effective.

‘It is during our darkest moments that we must focus to see the light’. Aristotle

In the darkness, the light, the Light burns even brighter, and I truly believe you can ‘add’ to it by resisting the darkness and ‘dark ways’, and by responding to the Light in the positive ways to which you are called. In a time of darkness, lights, the Light will guide you, very apt at this time of year, with Christmas and the winter solstice almost upon us.

With that in mind, some time ago I wrote a poem and I’ve ‘pasted’ it below, and maybe this is part of my ‘adding’ to the light (written below, to encourage you to do, and ‘be’ in the Light), and which I feel is, perhaps, even more relevant now.

Is there something missing,
and you feel that there’s nobody listening?
Could it be that everyone of us is scared,
everyone of us is hurt?
Oh, I think I landed in a world I hadn’t seen,
where a wicked and wild wind blew down the doors to let me in.

Look up, I look up at night,
planets are moving at the speed of light.
I hear you come nearer,
I hear you, but I don’t understand.
In your eyes, I drifted away,
and in your arms I just want to sway.

Oh, I think I landed where there are miracles at work.
Time just floated away.
Still I call it magic, a simple plot but I know one day,
good things are coming our way.
Christmas lights, light up the street.
Light up the fireworks in me.

Oh, angel sent from up above.
You know you make my world light up.
Yes, lights will guide you home.

You’re part of the human race,
and, all of the stars and the outer space,
are part of a bigger plan.
If you’d only, if you’d only say yes.
Under this pressure, under this weight we are diamonds taking shape.
Still, I call it magic.
You’re such a precious jewel.

This poem falls within the ‘Found poetry’ genre. According to Wikipedia it ‘is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them as poetry (a literary equivalent of a collage) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.’ The abovementioned poem uses ‘borrowed’ phrases from Coldplay song lyrics.

 

Full Moon: Poem: Thy beauty makes me like the child.

20181121 FULL MOON THY BEAUTY MAKES ME LIKE A CHILD

Ah, the winter nights are drawing in, and evening descends earlier and earlier (in the northern hemisphere). At last, in London and elsewhere in the UK the temperature is dropping to the seasonal norm, and I love it. It, at least feels natural, as the warm weather is now ‘shelved’ by nature and current daytime temperatures reach about the same as the interior of my fridge. Oh, I hope it snows!

With the earlier nights, colder temperatures and crisper air, comes the delight of clearer skies to overserve those wonderful winter stars (such as the constellation Orion, one of my favourites), and the moon.

‘Christmas, my child, is love in action. Every time we love, every time we give, it’s Christmas.’ Dale Evans

This time of year is a liminal time, and an air of ‘magic’ can pervade our life if we but let it. Christmas and the Winter Solstice draw near, and doesn’t our spirit, deep within, dance as we think about truly celebrating that time? And sitting at the beginning of the Celtic advent is a forthcoming full moon.

Some time ago I wrote a poem about the full moon. You know I love full moons, and so this poem could possibly be recited or meditated upon by you at the time of the impending full moon – Friday, 23 November 2018. The poem ‘sits’ roughly within the style of  ‘found poetry’.

Here’s my poem:

Above the tower – a lone, twice-sized moon
breaks upon the city’s domes.
‘Art thou pale for weariness of climbing heaven and gazing on the earth,
dreaming serenely up the sky?’

Slipping softly through the sky,
pour down your unstinted nimbus, sacred moon,
so tremulously like a dream,
to keep me company.
Thy beauty makes me like the child.

Thou silver deity of secret night,
yours is the light by which my spirit’s born.
She’s the mistress of the night, and
all love to be out by the light of the moon.
It mesmerizes lovers and dreamers.
A ghostly bridge ’twixt heaven and me.

‘Found poetry’ according to Wikipedia ‘is a type of poetry created by taking words, phrases, and sometimes whole passages from other sources and reframing them as poetry (a literary equivalent of a collage) by making changes in spacing and lines, or by adding or deleting text, thus imparting new meaning.’

The abovementioned poem uses ‘borrowed’ and adapted phrases from: Dylan Thomas, Sara Teasdale, William Henry Davies Lady Mary Wortley Montagu, Henry David Thoreau, Robert Louis Stevenson, Linda Ori, Siegfried Sassoon and others.

I hope you enjoy it. Many blessings, Tadhg.

With Samhain In Mind: A Winter Haiku

20181004 WITH SAMHAIN IN MIND A WINTER HAIKU

With Samhain (and different pronunciations of that word abound, but I quite like the pronunciation ‘soh-uhn’) just a few weeks away, the Circle turns ever closer as the final harvest of the year is about to be brought in and celebrated, and the season of winter creeps closer, at the end of this month. In Wales, this first day of winter is also known as Calan Gaeaf.

With that winter season in mind, here’s a (series of) haiku, and each can be read in succession – either as poetry, prayer or as part of a liturgy to celebrate the harvest and season of winter, Samhain.

I am fascinated by the traditional haiku. It’s a wonderful poetic style and I’d encourage you to write a poem or two in that style. An awesome discipline, and great fun.  Haiku are Japanese-style short poems consisting of three lines: and the lines should contain firstly five syllables, then next line contains seven syllables, and the last line contains five; and somewhere in the haiku there is a seasonal reference, however oblique.

So, a winter haiku, a resource for you to use and adapt as you think of the last harvest of the year, winter, Samhain.

1
The northern winds blow.
Ice and snow slowly creep south.
Life sleeps in the earth.

2
Harvesting takes place.
And, grateful hearts raise a song
to the Source of All.

3
Winter tilts the Earth.
The sun reclines; and winds roar.
White frost cocoons all.

4
Revelry takes place,
and nature’s bounty is shared
with mankind and beast.

5
Naked are the trees.
Sparse, the green shrubs and bushes.
Harsh, the cold on skin.

6
Hail, winter Spirit.
That which dies now at your hand
will soon come alive.

7
The Circle moves on.
And the promises of old
are heard loud and clear.

8
‘As long as earth lasts,
seedtime and harvest, summer,
winter, never cease.”

9
The Deity smiles,
and blesses all; but for now,
the northern winds blow.

Over the next two weeks or so, other aspects of Samhain will feature here; ritual, thoughts, maybe even a song or two. Many blessings, Tadhg.

 

Cantre’r Gwaelod, The Welsh Atlantis?: Stories From The Heart(h)

island CANTRER GWAELOD THE WELSH ATLANTIS STORIES FROM THE HEARThWe live in a mysterious universe, and on an even more mysterious planet. That mystery opens up and yields its treasure to those who are fortunate to have eyes that see and ears that hear, as it says in ancient sacred text. Mystery is ‘shy’ and only the respectful may gaze upon her.

Hy Braesil, as mentioned recently in an article, is a mysterious island that appears and disappears, allegedly, off the coast of north-west Scotland. Rather like an oceanic Brigadoon – a Scottish village that is supposed to appear for one day per century in Scotland, and which was the theme of a 1947 musical and a movie some seven years later – it is an elusive place and is yet another mystery to encourage you to visit these ancient Celtic kingdoms.

And so, as I sit here in London, in my small ‘town garden’ (a backyard?) with a glass of cold mineral water in my hand (I really like the effervescent kind), and with my eyes half closing, I begin to relax even more.

My mind ‘circles’ around the idea of water, and my imagination starts to ‘dance’, and it’s as though I’m transported back in time to grandmother Rhianwen’s cottage. There, as a wee lad,  I would sit beside the hearth in the evening, and she would tell another story. She was a seanchie, a Celtic story-teller, and a good one at that. I loved hearing her timeless, mysterious and deep stories. Stories full of meaning. And, the memory of them, even today, is pure gold.

‘There are no rules of architecture for a castle in the clouds.’ G K Chesterton

‘There was a time’, my grandmother said, ‘when there was a great city off the western coast of Wales, an island-city, but it had sunk beneath the waves some time ago’. Perhaps seeing my alarm at this she added, that it all took place in the seventh century, and so allayed my fears.  Something like that, she assured me, wouldn’t happen to Capel Curig as we’re inland, and the sea is some twenty-eight miles away. That relieved my childhood concerns, and she continued.

Her rocking chair creaked as she gently rocked back and forth, the fire in the hearth was ‘baking’ one side of my face, and so I moved from the side of the rocking chair to face her. ‘The great city’s name was Cantre’r Gwaelod’, she said. ‘It was a good mile off the mainland coast, and could be reached on foot at low tide. Then it’s gates would open, only to close as high tide approached’.

O dan y môr â’i donnau
Mae llawer dinas dlôs

Beneath the sea and its waves
Are many cities fair

But, on that particular evening one of the watchmen, whose task it was to close one of the sluice gates as the tide came up, got careless’, she said. ‘His name was Seithennin. He was madly in love with the King’s daughter, and when she got married to someone else he couldn’t bear the thought, and spent too much time in a tavern, got even more careless, and got drunk.’

‘A storm arose that night, the sea crept higher and higher, and lapped at the city wall of Cantre’r Gwaelod, but Seithennin was unaware. All the other city sluice gates had been closed, except for one – the one that Seithinnin was in charge of. He was in a deep, drunken stupor in the tavern.’

‘He was awoken abruptly by screams, and staggering out into the street, he could see water rushing toward him at great force. Sadly, Seithinnin lost his life that night. Some of the city people made it to the mainland, but the city was flooded and sank beneath the waves.’

Aeth clychau Cantre’r Gwaelod
Ô’r golwg dan y dwr.

The bells of Cantre’r Gwaelod
Vanished beneath the water.

My grandmother could obviously see that such an unhappy ending was perhaps too much for me, and added, ‘But, the city of Cantre’r Gwaelod was, and is, a special place. And some say a magical place. Even now, especially when a storm arises off the western coast, there are some who say they have heard music and singing, much merriment, and churchbell sounds coming from Cantre’r Gwaelod, miles out to sea.

A chlychau Cantre’r Gwaelod
Yn canu dan y dwr.

And the bells of Cantre’r Gwaelod
Ringing beneath the water.

It seems’, she said and smiled, ‘that life goes on there and is eternal now, even though many on the mainland can’t see it or hear it. But some can! Yes, Cantre’r Gwaelod is a place of mystery, and some would say magic.’

Hyd fedd mi gofia’r tywod
Ar lawer nos ddi-stwr,
A chlychau Cantre’r Gwaelod
Yn canu dan y dwr.

On sand till the grave I’ll remember
Many a peaceful night
And the bells of Cantre’r Gwaelod
Ringing beneath the water.

Did Cantre’r Gwaelod actually exist? Was it a myth full of meaning? Does it matter if was a tangible place or is a spiritual place only? Sometimes, isn’t it enough to just accept mystery?

There is no solid, reliable evidence of the physical kind of this Welsh Atlantis ever having existed. But, we’re talking about Wales, and the whole of that realm is liminal, a place of mystery where anything can happen to those who look gently upon the landscape. Sometimes, the most we can hope for are imaginal-prompts, peripheral fleeting glances  or spiritual ‘glimpses’.

In 1770, a Welsh antiquarian scholar William Owen Pughe said that he witnessed sunken dwelling places about four miles off the coast of Ceredigion. And in 1846 The Topographical Dictionary of Wales described a feature of stone walls and causeways beneath the shallow waters off Cardigan Bay. Even today there are those who will tell you that they have heard the sound of many conversations on the wind that blows from that part of the sea, or have heard the bells of Cantre’r Gwaelod.

Years later, as I sit here, now, in my little garden on a balmy London evening, with my eyes now wide open and with a now empty glass in my hand, that story heartens me. It tells us that that life goes on, seen or unseen, it goes on in another realm – a place of eternal peace. Okay, Seithennin was distraught and got careless in that story, and perhaps one moral from it is that we should not neglect the day of small things (tasks), as it says in ancient sacred text, for such tasks may have the biggest effects.

‘Sin is behovely’. The Lady Julian of Norwich

But the story also assures us that we are altogether very human and that’s not a bad thing, and as humans we will sometimes make mistakes, but through them the Universe, the Source of All is able to turn them around to the benefit of all, and they become blessings.

Yes, the voice of grandmother Rhianwen, who ‘borrowed’ the words of Julian of Norwich on many occasions and reiterated them in a north Welsh accent, continues to echo in my mind, even now, and even here in London: ‘All shall be well, and all shall be well, and all manner of thing shall be well’.

 

[The poem extracts in Welsh with an English translation, above, are from Clychau Cantre’r Gwaelod (The Bells of Cantre’r Gwaelod), a poem by John James Williams (1869-1954) who was a pastor and a poet. J. J. is his bardic name.

A CountDown To Alban Hefin: Celebrating The Sun

20180528 COUNTDOWN TO ALBAN HEFIN CELEBRATING THE SUNFor many people today, and certainly in ages past the four compass points were important to daily life and ritual. Those four points represent winter (north), spring (east), summer (south) and autumn (west). Tonight I have the sun, summer, fire, the south in mind as we are in the season of summer and are racing toward the summer solstice.

The summer solstice, Thursday, 21 June 2018 is the time of the longest day of the year, and a time to consider the sun. In Wales that event is lovingly known as Alban Hefin, which means ‘The Light of the Shore’. That event and the shoreline are mystical times and places, liminal, they are ‘thin places’, a meeting of two realms, places and times where things happen.

’Brother Sun and Sister Moon
I seldom see you seldom hear your tune.’

(Donovan: Brother Sun, Sister Moon)

Midsummer’s day is also celebrated in the Eastern Orthodox church, the Roman Catholic, Lutheran and Anglican churches as a feast day, celebrating the birth of John the Baptist, who was the herald to the (incarnated) Light.

And so, the following then has summer and the sun in mind, in general and might6 be useful to you now, and then over the next couple of weeks more articles will appear with the summer solstice in mind, and with ideas of how to celebrate that time in action and ritual.

On midsummer’s eve many people stayed up all night (or perhaps even more woke up early the following morning) to watch the sun rise on the longest day of the year. Candles were carried, bonfires were lit on hilltops and aromatic herbs were thrown into the fire.

‘This is the solstice, the still point of the sun, its cusp and midnight, the year’s threshold and unlocking, where the past lets go of and becomes the future; the place of caught breath.’

(Margaret Atwood)

It was thought that if sick cattle or any poorly people passed through the smoke of that bonfire they would be healed, whilst others might chose a ‘tame’ part of the bonfire and jump across it to ward off bad luck and/or to seek an abundance that year in fertility of the land etc.

Don’t worry If you’re not attending a bonfire celebration, a token and just-as-meaningful candle can be lit as a focal point for to think of the summer solstice and to celebrate that time. Ritual ideas, words and ideas will follow over the next week or so.

But, to whet your appetite the amazing words of that mystic, Hildegard of Bingen spring to mind.

’I, the fiery life of divine essence, am aflame beyond
The beauty of the meadows, I gleam in the waters,
And I burn in the sun, moon and stars.’

(Hildegard of Bingen)

The summer solstice is a dual celebration: on one hand there is much revelry and enjoyment because it is the longest day of the year and the sun is in its ascendancy, but it is also the time when days start to grow shorter, nights longer and the darkness begins to grow. Yes, the circle turns, and the great cycle continues. Tempus fugit.

Although not the summer solstice tonight, there is nothing to stop us celebrating the sun (especially, but not only, in the season of summer) and giving thanks to That Which Is Greater Than Us for it, and so, tonight, I lit a candle.

In the middle of one of the busiest cities on the planet, in my small city garden (okay, a yard), occasionally interrupted by ambulance sirens,  a small oasis of calm ‘blinked’ into existence for a few minutes. On this occasion I didn’t move in ritual, but I revolved the candle in its arrow-marked ‘saucer’: first ‘aiming’ it at the west and pausing, then slowly turning it to face north, then east, and then slowly, and reverently turning it so that it ended facing the southern compass point; the south, representing fire,  the sun.

I closed my eyes and spent a few minutes in silence, aiming not to produce a thought, but just to revel in that inward solitude as best I could, and in the light that the candle was giving out.

And then, quietly I gave thanks using an adapted prayer of ancient Hebrew origin as a basis for my words. Intentionality is all-important.

‘Praise to you, Oh Source Of All, that the celestial heights, the messengers and other hosts, the sun and moon and shining stars should praise you, and here I am, praising you, too, for everything. Sun of righteousness, thank you’.

(Ancient Hebrew prayer adapted)

I sat there for a few more minutes, in silence, and then extinguished the candle flame. The little flame, creating so much light before was dark was gone, and the darkness closed in.

I sat there in the darkness, with the occasional ambulance siren wailing in the distance, a helicopter flying quickly overhead, and despite the busy-ness of others, it was awesome. This oasis of quietness and light slowly, and very slowly,  ‘folded up’, and it was gone (or was it?). And yet, in darkness that surrounds me now, the sun’s light yet blesses someone else with its vitality and abundance.

’Brother Sun and Sister Moon
I now do see you, I can hear your tune
So much in love with all that I survey.’

(Donovan: Brother Sun, Sister moon)

 

Firefall 2018: Poem, Hymn, Liturgy

201800518 FIREFALL 2018 POEM HYMN LITURGYFire!

This Sunday it is fifty days since Easter and in the calendar of some that makes it Pentecost. To others, it’s about five weeks to the summer solstice – a time when I hope to be joining my Christian/Celtic-Druidic Brethren and Druids (and others) at Stonehenge – and it’s a time of preparation and looking forward. A time of celebration.

Respecting others’ traditions, it struck me that fire is the common thread here.

‘The most powerful weapon on earth is the human soul on fire.’ Ferdinand Foch

Fire, blessing, newness, power, understanding, outpouring, gratitude, regardless of our many and splendid, varied and awesome traditions and interpretations it is a time of remembrance and celebration. A time of praise.

Fire fell at that first, new, Pentecost some two thousand years ago, and fire was important to ancient and is important to latter-day Celts and Druids, and others, as we are in the season of summer, whose cardinal representative (compass) point is ‘south’, and so the element is fire.

Fire.

What we have in common ‘lifts’ us out of the mundane-only way of thinking and propels us to a higher plane, an objective way of understanding and perceiving, a new way of looking at the world around us in all its splendour and its people.

Fire transforms. Are we not all in need of (ongoing) transformation? Certainly our economic system is as we see it hurting the world, our political systems and policies are as many suffer unfairly, and many would say we as individuals are in need of that fiery transformation.

‘Love in its essence is spiritual fire.’ Lucius Annaeus Seneca

Spiritual experience, regardless of our spiritual pedigree, takes us higher and higher, and as we look around the dross that is burned off – one usefulness of fire, albeit sometimes painful – we see what is left behind, and what really matters – and for all of us that can be a surprising and humbling experience.

‘Do not let your fire go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not-at-all. Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. The world you desire can be won. It exists.. it is real.. it is possible.. it’s yours.’ Ayn Rand

I believe we are all, individually, locally, globally in need that fire, today. Pentecost and/or the summer solstice are wonderful events to give gratitude and to seek (another, or further, or greater awareness of that) infilling. With that in mind I wrote:

Oh, Sun of Righteousness for All
as on that ancient day
when you looked upon us,
you smiled on humankind
and let your fire fall.

Let your fire fall,
let your fire fall,
let your fire fall on us, today.

Oh, Benevolent Sharer of All
shine your light and understanding now,
newness in mind, and body,
and in spirit, too.
Whisper long-sought words of wisdom to all.

Let your fire fall,
let your fire fall,
let your fire fall on us, today.

Oh, Power Behind It All
may we know the heat of pure desire.
To be, to do, to act in love, authentically,
May our hearts and minds be open
to hear your enlightened call.

Let your fire fall,
let your fire fall,
let your fire fall on us, today.

In a world of long shadows,
grant us, yet another fire-fall.

 

Mysteriously It Flows: A River Poem In The Style Of A Cyrch A Cywta

20180215 MYSTERIOUSLY IT FLOWS

I love poetry, and as you may know those ancient Celts and Druids, and others had a respect, fascination and deep reverence for nature that is often missing today. Though there are many latter-day Celts and Druids and others, that are keeping this deep appreciation for nature alive, in a myriad of wonderful ways.

One such way to do this is though poetry.  And, yes, I’m back in London and only just 200 yards from the mighty River Thames, and so here is my poem of profound respect to that wonderful river, the life-blood of London, and its metaphoric relationship to us.

Mysteriously it flows,
through the great city it knows.
Freshwater to sea, it goes.
The river, meand’ring, prose,
resembles the soul, God knows.
Yet the soul often forgoes
the delight of just being
the light it overshadows.

Poems, depending on their rhyme etc are known by various names – who can forget the iambic pentameter? And the abovementioned style of poem, in Wales, is called a Cyrch a cywta (pronounced kirch-a-choo-tah).

Essentially, the Cyrch a cywta is a awesome poem consisting of a stanza of eight and with each containing seven-syllable in that line. The first six lines and the eighth sharing the same rhyme, and yes, you’ve noticed the seventh line (still with seven syllables) doesn’t have to rhyme like the others.

But, ofcourse, I can’t end this article here, and so would suggest two things: Firstly, to commend you to be aware of nature around you – even in the city – and to cherish it and give thanks for it in some way; and secondly, why not write you own Cyrch a cywta style of poem as an act of gratitude for something, or as a challenging exercise or just for fun (or for all three)? And, should you have a river nearby, you could even use this particular poem as part of your liturgy of thanks, occasionally.